[PUDOVKIN’S FAMOUS EDITING TECHNIQUES] Kinostsenarii: Teoriya stsenariya [i.e. Film Script: The Theory of a Script]. V. I. Pudovkin.

[PUDOVKIN’S FAMOUS EDITING TECHNIQUES] Kinostsenarii: Teoriya stsenariya [i.e. Film Script: The Theory of a Script]

Moscow: Kinopechat’, 1926. Item #271

64 pp. 15x11 cm. In original illustrated wrappers. Rear wrapper is detached and the front wrapper is almost detached from the text block, low margin of p.19 is cut off. Otherwise very good.
The first book by Vsevolod Pudovkin (1893-1953), a Russian and Soviet film director, screenwriter and actor. Pudovkin, proves just how integral Russian film was to cinema at the beginning of the 20th century by providing his own montage theory, slightly different from that of Eisenstein, that formed the foundation of the classic Hollywood style of editing, which is used in almost every film today. «The foundation of film art is editing.» In this edition he for the first time describes his editing techniques: contrast, parallelism, symbolism, simultaneity, and leit motif. Each of these techniques are in every editor’s arsenal and used in virtually every film made around the world.
The constructivist design of the wrappers by Piotr Galadzhiev (1900-1971), Soviet actor, set designer and artist who besides participating in theatre productions was also an illustrator for a few film magazines. He also designed covers for the film magazine Kino-Eye and for the popular film library Kinopechat, for which he produced a cover for the 1926 pamphlet on Sergei Eisenstein and his famous film ‘Battleship Potemkin’.

Worldcat locates copies in Bowdoin College Library, USC Library.

Price: $1,200.00

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